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Impressed by the liberty and blind abandonment of the ‘70s and ‘80s, COMMON HOURS was the discuss of town on Thursday evening when the style home staged its first-ever runway present in an deserted warehouse in Sydney.
Opting to showcase 5 days earlier than Australian Style Week is formally set to kick off within the metropolis, COMMON HOURS continued its rebellious, nonconformist path by inviting the trade down a dimly lit alleyway and right into a former two-storey warehouse, staged with white lining the flooring and hand-drawn graffiti-look paintings printed on the partitions.
Friends have been ushered into rooms, each upstairs and down, earlier than the clicking of a heel started reverberating all through the home and the lights dimmed — then turned extremely brilliant — to sign the start of the present.
Going down at some point after Chanel’s Californian-themed collection debuted amid palm timber in Los Angeles, COMMON HOURS couldn’t have been extra of a scorching pink palette cleanser, sending fashions — the likes of Charlee Fraser and Mana Mackay — down the runway in an A-line gown coated by Tamara de Lempicka’s ‘Portrait of a Man’ paintings and a see-through, skin-tight lace catsuit, respectively.
The skin-baring development continued all through with bias-cut attire and sheer minis earlier than outsized blazers and exaggerated vests created brief attire, paying homage to stretched variations of Patti Smith’s go-to apparel.
Seen on a turtleneck maxi gown was a customized print, developed for the gathering by plastering, ripping and layering collectively a sequence of classic 1971 newspapers, to create a phrase mosaic that nodded to the the trivia and impending doom of the period.
The gathering, named AlleyCat, is predicated on COMMON HOURS’s founder Amber Symond’s recollections of the namesake bar owned and operated by her dad and mom throughout the ’70s and ’80s, equally discovered on the time down a again lane with no road lighting in a dingy former warehouse. There, the seats have been upturned padded rubbish bins, the drinks have been served up in outdated chilli jars, and Symonds and her sister watched on as town’s coolest younger folks partied the evening away.
In ode to the unique AlleyCat, following the present, a DJ started enjoying post-punk, punk and new-wave music as a home social gathering ensued.
Don Julio tequila on ice was served to attendees, adopted by margaritas, palomas and tacos, as fashions from the present, some again in their very own garments and others opting to swap into one other’s runway look to put on for the remainder of the night, slowly filtered down the steps.
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