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Hillary Taymour, the coruscating artistic and founding father of progressive label Collina Strada, is just not your standard designer. The self-confessed “chaotic” is decided to make her enterprise as a lot about social points and regeneration as it’s about her distinctive model of self-expression.
Beneath the Rockefeller Middle in New York Metropolis yesterday, Taymour divulged the thought of a metaphoric, and literal health club, for fall/winter 2024. Named “Stronger”, the thought was to construct and encourage feminine power – in all incarnations. The presentation featured a pregnant lady, incapacity advocates, a mannequin carrying her co-dressed toddler, CIS girls, trans-women and ladies of many sizes and ages all solid to hold the ode to the enduring toughness of female identification.
Like with all Collina Strada seasons, ensembles had been a cacophony of classic layers, textural opposites and intentionally clashing genres. The gathered chiffon muscle shirt in sea-foam inexperienced worn with psychedelic silk trousers was a stand out as was the plaid day coat-and-tracksuit combo worn by 80’s display queen Gina Gershon. Moreover, the slashy robes, diaphanous flame skirts, quilted velvet tie-dye coats and mango-hued tartan fits brought on seen awe within the crowd – significantly that of a gob-smacked Tommy Dorfman.
Taymour’s trend manifesto has at all times been to depend on supplies both upcycled or sustainably produced – this consists of off-cut dead-stock, rose sylk and recycled cotton. The result’s a novel type of op-shop fantasia, one that isn’t solely globally delicate however vocally optimistic in slashing traditionalist trend agendas.
A mash-up of Britney’s “Stronger” performed because the fashions paraded in items that appeared to offer them an plain and infectious confidence. A number of carried crafted pumpkin-ended dumbbells – and so they weren’t afraid to make use of them. Chaotic as she might make it appear, Taymour’s imaginative and prescient resonates with a broadening crowd. Fashionistas who love the theatre of gown however not the adverse influence.
It’s after all an exquisite journey, to view the kaleidoscopic wilderness of a Collina Strada present. The creative projections (by Taymour’s artwork director Charlie Engman) interact you in a type of psychological escape – like a reminiscence montage from Scooby Doo or The Magic Faculty Bus – on acid. And, for a designer who’s taken inspiration from every thing from big turnips to pig snouts to, um, Lauren Conrad, such references are greater than prone to be pinned to her mood-board.
For this assortment Taymour used the time period “swole” to explain each the temper and the execution. Famously utilized by Tupac in his track “Once I Get Free” (launched posthumously in 1997) its urban-dictionary definition of (the normally masculine type of) muscular braun makes this a facetiously good mic-drop. Emotionally, politically, sarcastically and comically apt. How very Collina Strada.
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